Tackle that stash - Crystal Arrow

For those who don't know it yet, I'm (half) Swabian from Southwest Germany. Like all regions, we have our own stereotypes attached to us, one of them being that we don't like to part with our money.
Sometimes I have a bout of frugality myself about using up bits of stuff. Do you save thread, wire, bits of fabric etc.? Then you may able to understand what I'm talking about.
I don't really do it in an organized way, though. I sometimes save lengths of thread I know I will be able to use because that thread is not available in Germany and it's true I don't like to part with my money if it's for crazy postage fees ... and yes, postage has become more than crazy.
I also save beading foundation and backing if I think I will be able to do something with it. If it's a weird shape, that can even challenge me and be a lot of fun like the "Mod heart" pendant.

It can also be a challenge if it has a weird shape and is also quite small which brings me to today's stash tackler. It has been around for a while and it was high time to finish it.

The starting point of this piece was the shape of the beading foundation which reminded me of an arrow.
Being quite small, the arrow needed something to make it really pop, so I went through my stash and found a tube in which I had collected different beads, among them red crystals, some small and opaque, the others large, transparent, and very sparkly.

I don't usually wear red a lot myself although I like the color, but red in jewelry has something special. Not only does it pop off an outfit and can therefore set a stunning accent without being too overwhelming, but it always gives me that cool gothic vampire vibe that I love.
Black and red is a favorite color combination of mine and if Gundel weren't so strict about not wearing any costumes, I would love to give her a little black cloak with red satin lining 😼

For this piece's size, however, red and black seemed to be too much, so I chose one of my favorite seed bead reds instead. It's gorgeous, rich and dark with a beautiful luster. I used black thread to give it an even darker touch.
At first, I wanted to turn it into a necklace and maybe add a heart or something, but the arrow was too wide for that to work. I decided it had to shine on its own and the obvious choice was to make it into a brooch!
Can you imagine this on a black coat or jacket or another kind of top?

January - A challenge

I haven't been touching anything jewelry related in a while. I had to look it up, my last piece of jewelry was the pair of tassle earrings more than two months ago!

What's wrong with me, you want to know? I wish I knew. I have a whole list of ideas, but I'm still in the middle of an embroidery project, and while I used to have several projects on the go, it's something I can't seem to do right now.

Of course, it would be the easiest to blame my thumb joint again, but while it is part of it, it is, well, exactly that, part of it, but not everything.
Some of it is probably my overall mood, news-related, which sometimes seems to paralyze me. Some of it is feeling as if I have been chasing my right audience forever and doing that year after year tends to get mentally exhausting time and again. I'm by no means alone in that, I have seen it in other jewelry friends, but of course also in other creatives, no matter what the medium. Some of it might still be hibernation mode.

Usually it takes me a bit to get out of that and then I'm back happily experimenting and playing, but this time it seems to be harder for me to just grab something and give it a go although that is something that has always worked pretty well for me before. Just slap a cab on some backing and start stitching. Just take a wire and my crochet hook and do it.
Weird about it is that my brain is actually creating in theory and waits for my fingers to follow suit.

So I thought a stash tackler would be perfect.
Nothing super experimental, just something to get myself kick started.
I took one of my labradorite cabs, glued it on, picked some colors for the bezel and started stitching. It's amazing how good that felt already although it was not very creative.
Bezel done, I started looking for beads to add and as the lab looked a bit gloomy so far, I went for a sparkly blue, separated by tiny hematite beads which created small open spaces between the crystals which I could fill up with button beads and how about some tiny silver beads on the other side ... yes, it seems the kick start had worked!

That's when it hit me - the January/February challenge at the Jewelry Artisans Community.
What had our challenge mistress written?
Symbols: Snowflakes, icicles, evergreen trees
Colors: White, silver, blue, dark green
Herbs and Flowers: Sage, pine, juniper, snowdrop
Crystals: Garnet, clear quartz, hematite
Themes: Reflection, introspection, purification, new beginnings

I had "ice" from the button beads, I had silver and blue beads, the lab is shimmering in blue and green, I had hematite, and this was my new beginning for jewelry this year - and nothing of it had been planned.
It was downright perfect ... until I cut the edges. Don't ask me how it happened, but snip snip, there went not one, but two important threads. Honestly, am I jinxed? Are my eyes too crooked to see a thread? I didn't know if I should cry or laugh like a madwoman. Crying wouldn't have helped much, though, so I saved what I could meaning I cut it down to the bezel, glued and sewed on another piece of backing and started all over again hoping for the best.
In the end it turned out just a tad different because I didn't remember exactly how I had placed the tiny silver seed beads and the hematite it the first time round, so maybe there is a tiny bit of experimenting in it after all.
It's so shiny and sparkly, the pictures can hardly do it justice, especially because I took them when it was already dark. I just couldn't wait until tomorrow to show that I'm back! Hopefully, that is.

Sparkle heart

Some weeks ago, I explained why my blog suddenly seems to be all hand embroidery (my arthritic thumb joint), but also talked about having a plan for bead embroidery.
Now I'm back with the first piece resulting from this plan, but you wouldn't even notice without my saying it because it's just a tad different from my previous pieces.

In the blog post about how my thumb influences my work at the moment, I also mentioned getting myself an embroidery set with a second stand and exchangeable hoops in different sizes.
This made me wonder why I didn't just do my bead embroidery pieces like that, too?
I glued my cabochons on like always, then I put some thinner fabric in the hoop and sewed through both the fabric and my embroidery foundation when making the bezel for the cabs.
Making pendants has always been my favorite and the smallest hoop I can use with the stand isn't that small, so the plan was to work on two pendants and then cut them off together to finish them.
You know what? That actually worked rather well and although it didn't mean my thumb joint could rest completely, I avoided at least some of the movements it hates. Now I would just have to see if the fabric would be thin enough not to mess up my edging.
Spoiler alert - it was.
I'm sure the idea isn't new, I didn't look it up before trying it out, but all that counts for me is that it works.

Here's the first pendant which I have finished now, my muse is still thinking about the other one.
I didn't use a cabochon for this one, but a marble heart. It's really smooth but not shiny and still has kind of a raw, unpolished look to it which I wanted to counterbalance with a smooth look for the bezel, with a dark sparkle for the edge as opposed to the subtle light sparkle of the marble (which doesn't show too well in the pictures).
For the bezel I chose grey seed beads with a light shimmer of gold, blue-grey Delicas for contrast, and a row of tiny silver seed beads, the edging is from black crystals, also with a shimmer of gold, in combination with real hematite rounds and matching seed beads.

This pendant is off. You might not even notice right away if you just give it a quick glance, but if you look closer, you see it.
The stone is asymmetrical and I didn't try to hide that.
So the bezel is asymmetrical as well and also the crystal edge. I had to place the bail so that the pendant would still hang right and the two beads at the top - a button bead and a faceted moonstone - only sit kind of in the center.
The back is a real surprise in its bright berry color. Turned like this, you can also see the asymmetry very clearly.

Well, aren't we all a little "off"? One eye bigger than the other one, one ear a bit higher, one foot larger, or what else there can be, and sometimes there's a surprise on the back ;-)
I hadn't planned it that way from the start, by the way, it just happened by following the stone with the beads, but the more I worked on it, the more I thought that I finally seemed to be embracing assymetry, something I have always been struggling with very much, but haven't given up on. I find it's easier going completely wild with freeform.
Does it still make me a little nervous? It sure does, but I like the idea of someone wondering what is different about this piece and finding out step by step and maybe embracing it, too.

Now I need to find the next step for the other "hoop" piece, so I can finish it.
There's a nagging feeling that I have painted myself into a corner with that one, but miracles happen, so I'm not going to give up hope just yet.

Pokey bauble - The fourth door

I told you this would be a crafty advent calendar and that means there will not just be beads which sounds a lot easier than it is for me.
To be honest, I have never been the crafty type.
Whenever I think of crafting, the first image that comes to my mind is me sitting at the parish hall, around nine years old, glueing wooden clothespin halves together to make a coaster, and hating every second of it. If I'm not completely wrong, it was the only time I was at that crafting circle.

When browsing through YouTube tutorials for the advent calendar, however, I was glad to see a few that seemed right for my limited skills. Among them were sequined ornaments.
I didn't use a particular tutorial because the basics are actually rather easy. You take a styrofoam ball and pin your sequins on, in whatever way you like, striped, in swirls, combined with glitter or other embellishments ... or you can do it like me.

Doing it like me means that you take a small ball and pin on sequins in waves. Then when you are finished - you have to finish it or you won't bite your table later which is essential for the end result - you decide that you do not like that at all and take all the pins out again. Which takes a little time, but isn't that difficult because you have chosen not to use any glue with the pins (which you don't necessarily have to do, but suddenly it seems safer to you).

So you start all over again, but because you are an idiot, you use a bigger bauble this time, make a few stripes between the "poles" and then despair because the still empty surface seems endless. Because you have small sequins which will take you weeks to put on. Which you could have known beforehand. Doh.
At that point you may get a little dramatic and then think about ordering huge sequins. But wait! You have stars, tiny, small, and bigger ones. That will go much faster, won't it? It might have if you had taken into account that those stars have no holes which means you have to poke some into all of them first. With the tip of your scissors because you couldn't find your pokey tool, and because you only remembered now when writing this post that there is one in your needle felting box ...

This is a tale of poking.
You poke the golden stars that you try to pick out of the baggie while the silver and black ones, especially those tiny buggers, stick to your hands and refuse to come off again easily.
You have to poke the pins through the stars because the holes make it easier, but are still not big enough for the pins.
You dip the pin tips into glue and then poke them into the bauble using the back of your pliers as you still don't own a thimble.

After a while I got into a kind of meditative stupor until I ran out of stars. The forced break while having to wait for more stars to arrive was probably good for my hands and arms.
This ornament has about 5 million pins in it which makes it weigh about 100 kg, but maybe it just feels like that to me ;-) It would bring any Christmas tree down. And it's pokey because of the tips of the stars, hence the title.
It really sparkles like crazy, though. Mission accomplished, but believe me, this one will stay one of a kind.

Oh, and a little extra tip, don't store the bauble in a drawer together with something needle felted or you will picking off fluff forever!

On the wall

Isn't it funny how sometimes you can look at something and you just don't know what to do with it? I guess it happens to most if not all creative people.
And sometimes it takes years and years and years, then suddenly - boom.
I remember getting those moonstones, being intrigued by the different colors and the - for me - unusual shape. Unusual because I used round stones. The shape (and size), however, were a big problem for me as I couldn't come up with a way to incorporate it into one of my pieces.
Back then, I only did wire crocheting and knitting, and my only attempt of working with the moonstones was kind of okay, but definitely not okay enough. After having looked at the piece - it was a wire knit collar - again and again for some years, I finally ripped it up and the moonstones went back into the drawer.

The other day, however, I was looking for something in that drawer, taking out this and that, and when I held the baggie with moonstones in my hand, it was like an epiphany - a dry stone wall!
It was rather fitting that I had Midsomer Murders on for background entertainment. Rural England, here I come ;-)

Luck was on my side, the wall became straight. It just needed someone or something sitting on it. Wait, how about a cat?? That's of course a joke. A cat was the first choice, and with me having a black glass cab around in my "workbox" - mere coincidence actually - it clearly wanted to be black.
To enhance the 3D effect, I added more an extra layer of seed beads for the head and thighs and an additional layer of matte crystals for the tail. Also the cat got two rows of seed beads added around, so it wouldn't blend into the background.

I love the background. Those hexagon beads have some major sparkle which is increased by the random embroidering. You hardly notice the little "stars". It was so time consuming, but well worth it in my opinion.

While this is also a cat silhouette, it's not a HeatherCat, by the way. If it were, there would be a moon. Silhouette HeatherCats insist on a moon ;-)

Turning this into a pendant was more difficult than I had thought. Beaded ropes didn't work for me, the bails I tried weren't any better. In the end, I decided to get one of those faux silk chains and bead a tube bail for it.
Now I wish there were more moonstones left over because I am very tempted to make another dry stone wall. Didn't I have some Tila beads somewhere .....

Oldies but Goodies - Sparkly

You will have noticed that I don't have an advent calendar on my blog this year. I just didn't make it and I don't like doing just half.
That doesn't mean we can't have a bit of holiday feeling, however, this time with lots of sparkle.
I have to admit it, I love it sparkly. I can sit in the dark with just my reading lamp on, hold a strand of crystals, twirl it, move it and stare at it hypnotized by the sparkle. The other day I made a bracelet of black and silver lined red bugles and gave it away as a gift, but only after I admired the beauty of the beads in the light for a few days. I know I'm not the only magpie out there!
Here are some of the pieces from the last Jewelry Artisans Community Oldies but Goodies Challenge. I just wish my blog had the right light for them to show their true sparkle potential ;-)

1 and 8 The Crafty Chimp
2 and 6 Violetmoon's Corner
3 and 7 Cat's Wire
4 and 5 MC Stoneworks