I don't know if you are familiar with Lucky Luke, the hero of a Belgian Western comic album series that is very popular in Europe. One of the albums is called "The Rivals of Painful Gulch". The O'Timmins (with big noses) and the O'Hara (with big ears) families have been in a decade long feud without even remembering why. Lucky Luke is made mayor in order to end this feud.
The story was inspired by the historical Hatfield-McCoy feud in 19th century West Virginia/Kentucky.
You want to know what that has to do with silent movies? I'm glad you asked.
May I present to you "Our Hospitality" from 1923?
The plot (spoilers ahead)!
After his father John and James Canfield have shot each other, baby Willie McKay is taken to New York by his mother where he grows up without being told about the feud between the families (have you noticed the similarity of the names to the real names?), raised by his aunt after his mother's death.
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| That's Keaton's and Talmadge's first son Jimmy, by the way. |
Then, however, he gets a letter telling him to claim his father's estate in the South and he starts dreaming big (in fact it's just a small rundown hut).
Before he leaves, though, his aunt tells him about the feud.
On the train - "Onward sped the iron monster toward the Blue Ridge Mountains" according to the intertitle (always followed by Willie's dog!) - he meets a young lady.
The train ride is quite eventful. They have to remove a tramp, a guy hurls stones at the engineer who throws back wood from his fuel cart which is quickly collected by the guy, they have a very bumpy ride as the tracks are literally laid over trees and rocks, they have to move the tracks because a stubborn donkey refuses to move (of course he walks off after the train has passed), they derail and the train runs on the bare ground, and at one point the engine even loses the wagons and is suddenly behind them - and that's not all (I'm glad my commute wasn't like that).
Once arrived, we - but not Willie - find out that the young lady on the train is Virginia Canfield as she's picked up by her father and two brothers Clayton and Lee.
Later Willie encounters Lee who, upon hearing that Willie is a McKay, immediately tries to kill him without success and runs home to inform his father and Clayton. While they choose their weapons, Willie happens to see Virginia in her yard and she invites him to supper.
By now, all male Canfields go after Willie who has some very lucky - and funny - escapes.
When he calls for supper, the Canfields are shocked to see that he's Virginia's guest. Neverless, Father Canfield tells his sons that they will have to grant him their hospitality because their code of honor ... but only inside the house while he's fair game outside of it. Overhearing them plotting, Willie asks the butler whose house it is.
From here on, Willie and the Canfields have an eye on each other as they just wait for him to leave the house and get their chance.
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| The parson is saying grace, but only he and Virginia have their eyes closed ... |
Luckily, it rains hard when the parson wants to go home after supper. He's invited to stay and Willie extends that invitation to himself, determined never to leave the house again. When Virginia learns that he's a McKay, however, she can't imagine a future for them.
Willie hopes to escape in disguise and the chase begins (which gives Keaton ample opportunity for his daring stunts).
Thanks to the parson, there's a happy ending as he manages to marry Willie und Virginia in time before the Canfields arrive at home and how could Dad resist the look in his daughter's eyes?
Now this was a movie I really had fun with!
I'm shamelessly going to steal a bit from Jim Emerson's review (link below, unfortunately it's only part of an article whose link doesn't work anymore).
"Among the things you will learn from watching Buster Keaton’s “Our Hospitality”:
● A novel method for easily collecting firewood.
● How to move a donkey away from railroad tracks, or vice-versa.
● How to improvise a boat.
● How to make a lady from a horse’s behind.
● How to put on a top hat in a low-ceilinged carriage (and why a porkpie hat is so obviously preferable).
In other words, the act of seeing this movie will immeasurably improve your life."
Keaton who loved trains set the movie earlier than the historical feud, so he could use a replica of the 1829 British steam engines Stephenson's Rocket. The train ride is my favorite part of the movie, it's hilarious. I had a hard time keeping the number of pictures for it down.
That doesn't mean, however, that the chase wasn't funny and actually exciting as well.
As usual, Keaton did most of his own stunts. Two of them got dangerous for him, once when a wire broke and Keaton was swept away in the water - as you can see in the movie because the cameraman had instructions to keep filming - and once when he was dangling over the waterfall and swallowed so much water that he had to have his stomach pumped!
There are a lot of sight gags, but no slapstick as that wouldn't have worked for a feature film that depended on its narrative that's based on tragic events.
This was Keaton's second feature film, but the first one had still been episodic. It was also a family venture. The producer Joseph M. Schenck was the husband of Keaton's sister-in-law, we have already seen baby Keaton, Virginia is Natalie Talmadge - still married to Buster at the time and pregnant with their second child - and the engineer is Joe Keaton, Buster's father.
A wholehearted recommendation from me!
Sources and further reading:
1. Jim Emerson: Our Hospitality: Buster Keaton and gravity. On: RogerEbert.com, Scanners, December 14, 2012
2. Jeffrey Vance: Our Hospitality. On: San Francisco Silent Film Festival. Essay. 2019
3. Hal C. F. Astell: Our Hospitality (1923). On: Apocalypse Later, November 19, 2023








































