10 on the 10th - Would you rather ...

First of all, yes, I know it's not the 10th. I'm just weird about not having two posts on the same day.
So, without further ado, here are my 10 on the, well, 11th.
These are the questions Marsha gave us.

Would you rather rock a mullet or a perm?

Perm although I've tried it twice without convincing results many years ago. I have always dreamed of soft waves, but I only had those when my hair was wet, no matter how much I kneaded. It's funny that years ago I suddenly got some waves in my very long hair, but weirdly it's only some strands and not necessarily the ones on top.

Would you rather have a magic carpet or a crystal ball?

Easy. Definitely a crystal ball. Even as a kid I had problems to think about Detective Teffan Tiegelmann flying on his magic carpet. Look at the picture, doesn't that make you nervous? I mean, is it like a wooden board or does it sag during the flight? What about turbulences? Can you really put a barrel on it? No no, I'll have the crystal ball, please. I'm not saying I'd use it, though. It can look pretty on a table in the corner.

Would you rather be able to teleport anywhere instantly or read minds?

Another easy one. Teleport of course! If a mere finger snap could do it, that would be great. No machines, it makes me think of "The Fly" or a very creepy story I once read.
Being someone who's not very mobile, teleporting sounds great. First thing I'd do would be visiting some online friends.
Reading minds - no. Seeing minds being dumped on the internet all the time, that's actually a terrible thought. Unless you could turn it off and on. Nah, not even then.

Would you rather eat chocolate-flavored broccoli or broccoli-flavored chocolate?

I read that as chocolate-covered broccoli first, but of course broccoli-covered chocolate might be a tad difficult to achieve (and it sounds disgusting).
Where's the choice here? I could always close my eyes to forget that I'm eating broccoli for the perfect chocolate flavor, couldn't I, but I don't think it would work the other way round.

Would you rather have a talking toilet or a talking fridge?

I'm no fan of my appliances talking at all. I yell at my washing machine when it beeps at me from the bathroom (yes, many Germans have their washing machine in the bathroom) telling it to shut up, I will be there when I'm ready. If my fridge beeps to let me know the door has been open for too long while I try to shove the last items from the grocery delivery in, I yell "I know, I know, I'm hurrying up!"
I talk to inanimate objects, I really don't need them to talk back, but if I have to choose, it'll be the fridge. I just wonder if we will have philosophical conversations or if it will keep reminding me of the dying vegetables or the living cheese.

Would you rather sneeze glitter or cry jelly?

Have you ever seen a slow-motion video of a sneeze? And have you ever seen me do a surprise sneeze? I don't want to live in a world of glitter. I like the look of glitter, but I have given up on it a long time ago for good reason.
Now I can't imagine how difficult it would be to cry jelly, but given the body temperature it probably wouldn't be too terrible?

Would you rather make a snowman or build a sandcastle?

Picture via pxhere

From experience, I'd say I'm pretty terrible at both. I'm not a big fan of the beach as in lying in the sun, but you - looking at you, Marsha - know I hate snow, so the ugly sandcastle it'll be.

Would you rather have a pet unicorn or a pet dragon?

I'm not going to choose. I'm ... I'm going to have both. Yes, and they are going to be best friends ... and we are going to have the best adventures and ... and I'm going to call them Amalthea and Puff ... and they are going to sleep in my room ...

Pictures via pxhere

Sorry, but with such a question I can't help turning into a child again. I hope you heard my excited breathing and I may have had a finger in my mouth in order to think better (and still couldn't came up with less stereotypical names).
But yeah, I'm definitely going to have both.

Would you rather be the funniest person in the room or the smartest person in the room?

Well, that depends on the circumstances, does it? If I'm about to deliver a stand-up routine, I'd prefer to be the funniest, at a work meeting I'd prefer to be the smartest.
Generally speaking, though, I'd always choose to be the smartest and hopefully not in an annoying way.

Would you rather have a conversation with your past self or your future self?

I'm terrible with that time-travelling stuff. I could give my past self a lot of advice, but what would that do to my present self? I don't want to use the crystal ball, so why would I want to talk to my future self?
I'd rather talk to my fridge about fuzzy cheese.

How would you have answered these questions?

Weekend Traffic Jam Reboot - Week 151

Welcome to the Weekend Traffic Jam Reboot!
My posts for the link up will go live on Thursdays at 9:30 p.m. EDT or, if you live in the future like I do, on Fridays at 3:30 a.m. CE(S)T.

If you have known me for a while, you know the obligatory spring picture.
Little hearts in the garden ... I'm looking forward to seeing them in full bloom. It's just one plant, but it always makes me so happy (if you want to know why -> here).

Are you ready for the weekend?

As part of the reboot, we will be featuring a different blog every week.
How about stopping by and saying hello? Let them know we sent you.

This week our spotlight is on For Family Caregivers.

Charlene and Justin from For Family Caregivers say: "We are a mother son duo who cared for our loved one for five years after he was diagnosed with Primary Progressive Aphasia due to Frontal Temporal Degeneration. It was a disease no one had heard of until Bruce Willis was also diagnosed. We learned to advocate for a disease about which little was known, adapt to rapid changes that left him unable to speak, to feed himself and become totally dependent. We learned on the fly - guessing, researching, asking questions and, sometimes, giving up in tears and frustration.
It was a challenge. Heart breaking. And a privilege.
We are not the only family to travel this unexpected road. We want to share our hard won knowledge so others could benefit from our struggles and give them meaning. It can only take 5-10 minutes because that's all the "spare" time a caregiver has! Short and sweet bites: time saving tips to implement, food for thought, a new way of doing things, a break in the routine, a bit of self care, useful knowledge ... We've gone through the struggle and we want to make it easier for others."

Marsha from Marsha in the Middle started blogging in 2021 as an exercise in increasing her neuroplasticity. Oh, who are we kidding? Marsha started blogging because she loves clothes, and she loves to talk or, in this case, write!

Melynda from Scratch Made Food! & DIY Homemade Household - The name says it all, we homestead in East Texas, with three generations sharing this land. I cook and bake from scratch, between gardening and running after the chickens, and knitting!

Lisa from Boondock Ramblings shares about the fiction she writes and reads, her faith, homeschooling, photography and more.

Cat from Cat's Wire has what she calls a jumping spider brain. She has many interests and will blog about whatever catches her attention - crafts, books, old movies, collectibles or random things.

Rena from Fine Whatever Blog writes about style, midlife, and the "fine whatever" moments that make life both meaningful and fun. Since 2015, she's been celebrating creativity, confidence, and finding joy in the everyday.


Here are some of my picks from last week's link up.

Melody thinks you should read Kristin Hannah's "The Great Alone". Here's why.

Amy's post reminded me that I still haven't tried roasted radishes and they look so good!

I'm not a DIYer myself, so I'm always impressed if someone fixes something like Gina did with her attic opening.

Oh, the hunt for clothes in a certain color. Gail found just what she wanted.


Let's link up!

Guidelines:
This link party is for blog posts only. All other links will be deleted.
Please link only blog posts you created yourself. Please link directly to the URL of your blog post and not the main address of your blog.
Please do not link to videos, sales ads, or social media links such as YouTube videos/shorts, Instagram or Facebook reels, TikTok videos, or any other social media based content.
Please do visit other blogs and give the gift of a comment. 

Notice:
By linking with Weekend Traffic Jam Reboot, you assert that the content is your own property and give us permission to share said content if your post or blog is showcased.
We welcome unlimited, family friendly content. This can include opinion pieces, recipes, travel recaps, fashion ideas, crafts, thrifting, lifestyle, book reviews or discussions, photography, art, and so much more!
Thank you for linking up with us!

You are invited to the Inlinkz link party!

Click here to enter

Silent Movies - One Week

How good are you at putting together furniture? I have two small identical chests. One looks just fine, the other keeps coming a bit apart in one spot - until I knock it together again with a perfectly aimed slap. I have absolutely no idea what I did differently on the second one. This is just one example. Sometimes I'm fine, sometimes not so much.
Could I put together a whole house, though?
Let's see how good Buster Keaton is at it, shall we? Today I have the two-reeler "One Week" from 1920 for you.

As usual the plot (spoilers!). My intro probably gave you a bit of an idea already ...

For their wedding, Uncle Mike gives a happy couple a house and lot No. 99 Apple Street.

The driver is Handy Hank, the guy the
bride had turned down.

When they come to the lot, though, there's no house but a truck delivering boxes from the Portable House Co. The instructions tell them to put their home together according to the numbers on the boxes "to give this house a snappy appearance".

Buster starts right away, but jealous Hank secretly alters some numbers on the boxes.

So when Buster has finished, it's no surprise that the house looks like this.

And like this.

Aaand like this.

One of the times when Buster actually hurt
himself during a stunt - I don't recommend walking out
of a door that high up and falling on your back!

Friday 13th is the day of the house-warming. Everyone has a look into all the rooms when a storm comes up. First it is raining through the roof - anyone surprised? - then the house starts revolving practically turning into a fairground ride.
The next day it looks like this.

Then they are informed that they are on the wrong lot, the sign had got turned around, and it's not No. 99, but 66. Their lot is across the railroad track (yes, you know what's coming next).
They use barrels for wheels and start pulling the house away with the car, but it gets stuck on the tracks (does this make anyone else think of "Houseboat"?) and a train is nearing.
Just when they are relieved to see that the train has missed the house ...

... no comment.

Buster puts up a "For Sale" sign and leaves the directions, and they walk off hand in hand.

I know that's a weird association, but I had to think of Shirley Jackson in whose books houses often play an important role and can be an entity of their own.
This "Portable House" product certainly looks like one of those to me because there's no way a few altered numbers would have been able to change it like that ... 

The plot seems to have been inspired by a Ford Motor Company documentary. Ford had produced educational movies from 1914 to 1925 and one called "Home Made" from 1919 showed the construction of a prefabricated house.
I don't have to see it to know that it wasn't as hilarious as "One Week".
"One Week" wasn't the first short Keaton made alone (after working with Roscoe "Fatty" Arbuckle before), but it was the first one to get released in September 1920.
What makes it so amazing is that no model was used. This was an actual house built on a turntable. In combination with the stunts and the gags that was extremely effective - and there were a lot some of which I didn't even notice when I watched the film the second (and surely not last) time.
These are just a few of the stunts. Both Keaton and Sybil Seely did them themselves - like the rotating house panel which lifted Sybil up then came down on Buster (a stunt he used in other films as well).

What made this short even better for me was the chemistry between Keaton and Sybil. I liked them in "The Scarecrow", but here they are together from the start and run into one problem after the other, and still they don't give up. A quick kiss and on they go. They make such a cute couple. It's a pity that Seely gave up filming very early after getting married and having a child. 

Beside the stunts, there's also a very charming scene with Sybil sitting in the tub and losing the soap.
I love the way they did this and even more the smug little smile Sybil is giving the viewer after the "censoring" hand is gone.

Tremendous fun and definitely also a good choice for a first silent movie! 😉

By the way, the movie shows a calendar leaf torn off from day to day.
If we go by the weekdays in the year 1920, the house would have been built either in February or in August. No, I don't know either why I felt compelled to look that up! I'm just weird that way! 😂


Sources:

1. Lea Stans: Thoughts on Keaton's "One Week". On: Silent-ology, March 23, 2014
2. Virginie Pronovost: My First Time with Buster Keaton: One Week. On: The Wonderful World of Cinema, February 22, 2017
3. Daniel Eagan: One Week. Excerpt on: National Film Preservation Board - Documents

I just live here ...

... and have been informed once again that I have nothing to say and nothing belongs to me (although I'm the one with the opposable thumbs).
Duly noted, mylady 😑

Lilies of the Field

The story goes that I was five years old when I watched my first complete movie. My mother told the story, and you know how it is, my mind started building an actual scene around it. I can see myself sitting on the floor before the TV set in our wall unit, in my typical position, knees in front, feet at my sides - I was lot more flexible then - simply because that's how I used to do it later.
Anyhow, as a kid I loved to hear my mother tell me the story of my first "real" film and how I was glued to the screen.
The film was "Lilies of the Field" from 1963 which after watching it at least dozens of times is still one of my favorites.

Of course I chose a picture from
"Lilies of the Field" to make a beaded
portrait of Sidney Poitier for my fan wall.

Let's start with the movie (there will be spoilers for both the movie and the book it's based on).

Homer Smith stops at a small rundown farm because he needs water for his car. There are five women there, and when one of them, who introduces herself as Mother Maria, sees Homer she thanks God for sending her a strong man.
Homer, however, doesn't intend to stay. As there's not much in his wallet right now, he agrees to repair the roof - one man for hire for one day. At the end of the day he hands Mother Maria the bill and she just takes it and says she'll let him know about dinner.
Homer is surprised to see that the women are in fact nuns. They come from Germany, Austria, and Hungary and try to learn English, so he gives them a lesson after the very meager meal.

The next morning Homer is ready to move on, but instead Mother Maria takes him to a construction site where she wants him to build a chapel. Once again ignores the bill.
After cleaning up the site, Homer tries again in the evening, this time by quoting from the Bible, but the Mother quotes from the Sermon on the Mount - hence the title of the film - and informs him that he will drive them to Mass the next day.
Being a Baptist himself, Homer doesn't attend Mass. He goes to a diner for breakfast where Juan, the owner, tells him about the nuns coming from an East German order which inherited the farm and that they escaped over the Berlin Wall.

My favorite scene - Homer orders "a real breakfast" after
having to endure the "Catholic" meals. His passion
about wheatcakes with maple syrup, coffee, and fresh
orange juice makes me hungry every time I watch it.

Despite himself, Homer gets drawn in more and more. When he decides to leave for good, the Mother has him take her and one of the sisters to town to ask Mr. Ashton, the owner of a construction company, for donations. They tell him that Homer is their contractor, and not wanting to give Ashton the satisfaction of confirming his doubts, Homer says that he is indeed.
He starts working on the chapel, but also for Ashton two days a week and uses the money to buy groceries for the nuns.
Mother Maria has no luck getting more money and bricks, though, and one evening emotions rise so high that Homer leaves.

He does come back eventually, though, even if a little the worse for wear.
That impresses the people in the Hispanic community so much that they finally decide to help, both with supplies and their labor. At first, Homer refuses to let them help and admits to the nuns that he always wanted to build something by himself, but then he realizes how much it means that everyone wants to help with this special project as he tells Mr. Ashton who donates bricks after all.

When the chapel is finished, Homer signs his work. He knows that it's time for him to leave now although Mother Maria already has new plans for a school and more.

No matter how often I watch the movie,
I wonder every time why the h is lowercase.

On the evening before the dedication of the chapel, Homer and the nuns sing together once more.
Then he gets up, still singing, packs his things and drives off into the night.

Now what could it have been about the movie that attracted a five year old so much that it became one of her all time favorites? I never tried to dissect my feelings before, I just know the film makes me feel good.

One point is easy to find - I love "Amen", the Baptist spiritual Homer is singing with the nuns, and I'm afraid I might have turned it into a bit of an earworm at home back then, just the "Amen" part of course. I still sing along today.
Actually, I like the whole score.



Poitier didn't sing himself, by the way. "Amen" was written and sung by Jester Hairston (if you would like to know more about him, check the sources).

But obviously I was drawn to Poitier himself and the humor he's bringing to the film. I adore his smile and laugh and I love that the humor is warm and gentle, especially in the scenes with him and strict Mother Maria. 
The role was offered to Harry Belafonte first, but Belafonte thought it was demeaning and missed the social justice topic and Homer was too plain a character, so he turned it down. He even discussed that with Poitier who defended his reasons for not doing so.
Indeed the movie doesn't dwell much on racism except the one time Ashton calls Homer "boy" to which Homer reacts by calling him "boy" back. Instead it shows how people from different circles - the black handyman, European nuns, a Hispanic community, an Irish priest, and even a white businessman - can work together to accomplish something no one thought possible, despite the differences in race, wealth, and faith.
Although the spark for the plot was Mother Maria's unbroken faith in God, to me this was never a religious film (once I was old enough to think about it) although I'm aware others might not see it like that. For me, it's about community, communication, cooperation, understanding, and tenacity. Have I used the word gentle yet (I know I did)?

Sidney Poitier won an Academy Award for Best Actor (the first African-American to win that one), a Golden Globe, and the Silver Bear for Best Actor at the Berlin International Film Festival and was nominated for other awards as well.
Lilia Skala as Mother Maria Marthe was nominated for several awards as Best Supporting Actress.
Not that I cared much about that as a five year old (as if I even knew! 😉)

It wasn't easy for Ralph Nelson to get financial backing for the movie. It was even suggested to add a love interest, a nun who hadn't taken her vows yet. Another studio wanted Steve McQueen as Homer.
Ralph Nelson finally found a studio who offered a budget of $250,000 but demanded a collateral. Nelson offered his own home. At the time, Poitier had already been a respected actor and earned about twice that budget per film. Poitier accepted a deal of $50,000 and ten percent of the gross earnings. And as the budget was so low, he actually had to do the heavy work in the movie himself. Both of them really believed in this movie which only took 14 days to shoot, by the way.
Well, and it did become a success making $2.5 million in the first six months.

Now to the book.

My German copy.

William Barrett was a writer of novels three of which got adapted into movies including "The Lilies of the Field". He was Catholic and also wrote essays, reviews, and biographies, one of them about Pope Paul VI.

The story of the nuns is actually based on the true story of the Abbey of St. Walburga in Colorado. In 1935, three sisters  were sent from the Bavarian motherhouse Abtei St. Walburg to Colorado where they bought land cheaply from monks who said it was "un-farmable". Originally, it was meant to be one potential place of refuge from the Nazi regime if needed, but eventually the farm turned into a priory taking in novices and then became an abbey.
The book of course changed the time to that of the Cold War and the nuns fled East Germany as mentioned above.

It also explains a bit more about Homer.
He's 24 (that's younger than Poitier was when he made the movie), he "lives his life one day at a time, there is laughter in him". He has a bit of money after leaving the Army and wants to go see the West (while the film is set in Arizona). And he cherishes his freedom, being able to go where he wants when he wants, only working if he needs to. "A man was free when he could say 'yes' or say 'no'." And still he feels he can't just say no to Mother Maria Marthe.

There are also some small differences which aren't really important, though. The priest isn't Irish but Hispanic, and he doesn't have to hold the service from the back of a car, there is a little church. There's no Mr. Ashton, he's called Livingston in the book.
The book also explains what Homer does when he leaves for the first time. He gets himself a job with a wrecking company in the big city, but although his days with the nuns feels like a dream, he thinks of them when they tear down a row of houses. He goes through the salvage thinking that the nuns need a bath tub. So he buys one and takes it back as a present.
In the movie he just returns with a black eye, but the book doesn't say anything about him getting into trouble nor what made him come back.

The biggest difference, however, is the ending.
Homer drives into the night alright, but the book doesn't end here.
A legend is evolving around Homer and his chapel. Tourists start visiting. Thanks to contributions, the nuns can build a school and take in boys from broken families to help them make their way in life. And in the chapel there's a painting of Saint Benedict the Moor by Sister Albertine which looks like Homer.
To be honest, I'm glad the movie left that part out.

Now excuse me, I think I'm going to watch the movie one more time.


Sources and further information:

1. Brian Bergen-Aurand: Lilies of the Field (1963). On: Foreign Influence, February 3, 2017
2. Ron Olesko: "Amen" and Jester Hairston. On: Sing Out!, March 22, 2008
3. Abbey of St. Walburga History
4. David A. King: The heart of Barrett's 'The Lilies of the Field'. In: The Georgia Bulletin, March 20, 2014
5. "Lilies of the Field: The Story Behind the Film" on YouTube

Weekend Traffic Jam Reboot - Week 150

Welcome to the Weekend Traffic Jam Reboot!
My posts for the link up will go live on Thursdays at 9:30 p.m. EDT or, if you live in the future like I do, on Fridays at 3:30 a.m. CE(S)T.

Something went wrong during the assignment of the Easter eggs to the new trainees Wilma and Otto ...

Are you ready for the Easter weekend?

As part of the reboot, we will be featuring a different blog every week.
How about stopping by and saying hello? Let them know we sent you.

This week our spotlight is on Our New Vista.

Ann from Our New Vista says: "Hi - I am a retired School Librarian who loves to read, cook, decorate, travel, and enjoy the good life with my amazing husband of over 40 years! Hope to share my journey of downsizing and enjoying life!"

Marsha from Marsha in the Middle started blogging in 2021 as an exercise in increasing her neuroplasticity. Oh, who are we kidding? Marsha started blogging because she loves clothes, and she loves to talk or, in this case, write!

Melynda from Scratch Made Food! & DIY Homemade Household - The name says it all, we homestead in East Texas, with three generations sharing this land. I cook and bake from scratch, between gardening and running after the chickens, and knitting!

Lisa from Boondock Ramblings shares about the fiction she writes and reads, her faith, homeschooling, photography and more.

Cat from Cat's Wire has what she calls a jumping spider brain. She has many interests and will blog about whatever catches her attention - crafts, books, old movies, collectibles or random things.

Rena from Fine Whatever Blog writes about style, midlife, and the "fine whatever" moments that make life both meaningful and fun. Since 2015, she's been celebrating creativity, confidence, and finding joy in the everyday.


Here are some of my picks from last week's link up.

I never made it to Hamburg myself, so I enjoyed the pictures Barbara took even more.

Mireille is showing us combinations using her denim overalls. 

Laura is sharing springtime dips.

Lemon and poppy seed - Esme is teaming them up in pancakes.

Amy made some adorable bunny cards.


Let's link up!

Guidelines:
This link party is for blog posts only. All other links will be deleted.
Please link only blog posts you created yourself. Please link directly to the URL of your blog post and not the main address of your blog.
Please do not link to videos, sales ads, or social media links such as YouTube videos/shorts, Instagram or Facebook reels, TikTok videos, or any other social media based content.
Please do visit other blogs and give the gift of a comment. 

Notice:
By linking with Weekend Traffic Jam Reboot, you assert that the content is your own property and give us permission to share said content if your post or blog is showcased.
We welcome unlimited, family friendly content. This can include opinion pieces, recipes, travel recaps, fashion ideas, crafts, thrifting, lifestyle, book reviews or discussions, photography, art, and so much more!
Thank you for linking up with us!

You are invited to the Inlinkz link party!

Click here to enter

I'm not affiliated with Steiff in any way, I'm just a collector.

Silent movies - The Cat and the Canary

The title of today's film may be familiar to you as there were later remakes of it (one of them with Bob Hope), but I will of course be talking about the silent film "The Cat and the Canary" from 1927.

Here's the plot with spoilers:

Wealthy Cyrus West feels like a canary among cats surrounded by his relatives who are not only greedy, but also think he's insane.
West orders his will to be opened 20 years after his death during which only the housekeeper Mammy Pleasant lives in his creepy mansion.
When his lawyer Roger Crosby turns up to get the will out of the safe, he finds a living moth in it - and a second envelope that has to be opened if the terms of the will aren't fulfilled.

"It was the ghost who put that second envelope there!"

All the relatives have gathered, Aunt Susan and her niece Cecily, cousins Harry, Charlie, and Paul, and finally Annabelle.

Much to the others' indignation and disappointment, Annabelle, the most distant relative still bearing the name West, is the heiress of Cyrus's wealth including the famous lost West diamonds. IF she passes an doctor's examination of her sanity, that is. If she fails, everything will go to the person named in the second envelope.
Alone with her, Crosby says to Annabella that she's the one in a cage now, surrounded by cats.

Just when he wants to reveal the name in the second envelope because he's afraid of what that person might want to do to her, he gets pulled away by a clawed hand.

In the meantime, a guard has turned up warning everyone about a lunatic called "The Cat" having escaped from the asylum. He says he has followed him to the mansion.
Then Annabella informs them that Crosby has disappeared which Aunt Susan thinks is very convenient for the heiress and obviously proves she's insane (yeah, sure).

Everyone goes to their rooms, more or less scared, and guided by a note, Annabelle finds the famous diamonds in easily one of the ugliest necklaces I have ever seen. Not that this has any bearing on what happens next.

Maybe she can take it apart
for the pearls and stones?

Claw-hand steals the necklace when Annabelle is sleeping.

She tells her relatives about it and Aunt Susan thinks once more, you got it, that she's insane.
Now things happen rather quickly.
Crosby turns up dead behind a hidden door and disappears again. Mammy Pleasant goes to get the police. Aunt Susan runs away in panic and hitches a hike with a milkman before policemen on their way to the mansion pick up her up and take her back with them. Dr. Lazar turns up in the middle of the night to evaluate Annabelle. Paul enters the passage behind the hidden door which closes. In the passage he meets The Cat and gets into a fight with him, being left for dead.

That's one ugly "cat".

The Cat attacks Annabelle, but Paul is there in time to save her. The police arrives. The Cat is no lunatic, but Charlie in disguise! He had hired the guard to help him drive Annabelle insane as his name is in the second envelope.
Annabelle and Paul get a happy ending.

You probably already expected something like that. I mean today we all know Scooby-Doo, right?
Knowing what is probably going to happen, though, doesn't take away from the fun of the movie.

"The Cat and the Canary" is based on a play by John Willard from 1922 (you may remember that "The Bat" was also based on a play and those two weren't the only early horror comedy movies who were).
Paul Leni gave it his personal style, a mix of German expressionism and humor (as he already did in "Waxworks"), and he also designed the sets.
He played with darkness and light and used superimposition to evoke moods and suspense, but they also had a bit of fun with the intertitles.

Cyrus in his chair dwarfed by medicine
bottles and threatened by huge cats.

An intertitle mimicking the shaky
voice of the cab driver.

I enjoyed the mix of scary vibes and humor which is also reflected in the characters.
Paul is a bit of a fool until his love for Annabelle makes him turn into a hero.

Paul hiding under the bed - I admit
I get why it scared Aunt Susan.

Mammy Pleasant is mysterious and scary (but not in cahoots with Charlie).
Aunt Susan is especially hilarious during her ride with the milkman and then the police.
Poor Annabelle had the typical role of damsel in distress. She gets to look scared a lot, but she also shows a little courage. Honestly, I wouldn't have slept in that room by myself.

Definitely a recommendation from me!


Sources and further reading:

1. Lea Stans: Thoughts On: "The Cat And The Canary" (1927). On: Silent-ology, October 7, 2016
2. Dr Lenera: The Cat and the Canary [1927]. On: HorrorCultFilms, April 8, 2024